Saturday, December 31, 2011

Closing the Ring

  • From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment), Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hill
From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment), Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hills near Belfast, Ireland. 50 years later his wedding ring resurfaces -- along with the smoldering secrets! that have kept the widow (MacLaine), her estranged daughter (Campbell) and devoted friend (Plummer) each from finding true love.A love story spanning more than five decades, Closing the Ring may appeal to fans of The Notebook. Academy Award-winning director Richard Attenborough (Ghandi) utilizes shifting time frames to tell the story of Ethel Ann and WWII fighter pilot Teddy. The two fall madly in love and secretly marry in a sweet ceremony that is destined for tragedy. When Teddy's plane is shot down in Belfast, he is discovered by an Irish boy who makes a promise to the dying soldier--he will return the wedding band to Teddy's young widow in the United States. Flash forward to the 1990s: An elderly Ethel Ann (Shirley MacLaine) is at her husband Chuck's funeral. He was never the love of her life and Ethel Ann had always lived her life full of "what ifs." Her grieving daughter Marie (Neve Campbell) notices the void, but can't comprehend why her mother ! has never been happy. When Teddy's wedding band is finally ret! urned to Ethel Ann--50 years after his death--the memento opens up a floodgate of emotions, and Ethel Ann is able to get some closure on a part of her life that she has tried so hard to both forget and remember. As a family friend points out to Marie, "Everybody needs to cry, and your mother never did." At times slow and uneven, Closing the Ring rings true in the modern-day vignettes. MacLaine is exquisite in her role, as is Christopher Plummer as a longtime friend. But when the scenes flash back to the 1940s, the younger actors don't share the same on-screen chemistry or charisma. Mischa Barton is beautiful as the young Ethel Ann, but her moments with Stephen Amell (as Teddy) are a little forced. Campbell brings intelligence and gravity to her role, but is underused in the film. Viewers can't help wonder how different the tone of the movie may have been had she been cast as the younger Ethel Ann. --Jae-Ha Kim

Battlefield Earth

Thursday, December 29, 2011

17 Again

  • Condition: New
  • Format: DVD
  • Color; Full Screen; Widescreen; Subtitled; NTSC
A small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother and a stanford scholarship. His bright future is cut short when tragedy strikes and takes his dreams with it. Studio: Uni Dist Corp. (mca) Release Date: 11/09/2010 Starring: Zac Efron Ray Liotta Run time: 100 minutes Rating: Pg13 Director: Burr SteersTeen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now! , because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charli! e Tahan is winsome as Charlie's younger brother, Sam. Kim Basi! nger, to o long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. Hu! rleyZac Efron stars as Charlie St. Cloud, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills ! that have perhaps been overlooked until now, because of his ap! pealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charli! e's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of gro! wing up--just a bit--onscreen. --A.T. HurleyIn a snug N! ew Engla nd fishing village, Charlie St. Cloud tends the lawns and monuments of an ancient cemetery where his younger brother, Sam, is buried. After surviving the car accident that claimed his brother's life, Charlie is graced with an extraordinary gift: He can see, talk to, and even play catch with Sam's spirit. Into this magical world comes Tess Carroll, a captivating woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that propels her into Charlie's life. Their beautiful and uncommon connection leads to a race against time and a choice between death and life, between the past and the future, between holding on and letting go â€" and the discovery that miracles can happen if we simply open our hearts.Questions for Ben Sherwood About Charlie St. Cloud

Q: Did you always imagine your book becoming a movie?
A: In a word...no. I quit a great job at NBC News in New York to write this book. It was a risky career move. I wish I could say the road was easy, but it wasn’t. There were major creative challenges and serious professional setbacks. Indeed, the route from blank page to the finished book might well be described as a near-death publishing experience. Perhaps that’s why I never really imagined this book becoming a movie. Indeed, the very idea of a film adaptation seemed farfetched. As one of my close friends always said: "I’ll believe Charlie St. Cloud is a movie when I’m sitting in the theater and eating popcorn."

Q: How involved were you with the movie and did you write the screenplay?
A: The producers and studio were generous to include me at many stages of the process but I wasn’t involved with the movie or screenpla! y. I was fortunate to visit the production twice, once on loc! ation in a cemetery and another time on a soundstage in Vancouver. Each time, I relished how filmmakers turned some of the book’s tiniest details into movie reality. For instance, Major League Baseball sent three small Red Sox mitts for Sam to use when he played catch with Charlie. I watched an assistant prop master carry a brand-new red mitt around all day, rubbing it constantly to give it a well-worn appearance.

On another occasion, the director showed me the closing shot of the film. Today, words still fail to describe the exhilarating experience of seeing Charlie and Tess literally sailing into the sunset. Seven years earlier, in the quiet of my little writing room, I had imagined these two young people on a boat aimed at the open ocean. Suddenly, they were on the screen, leaning into each other with wind tousling their hair and sails, steering a Gryphon Solo, one of the world’s fastest fifty-foot sailboats, filmed by a came! ra mounted on a helicopter hovering above.

Q: How does it feel to see your book turned into a movie?
A: Quite simply, I’m filled with gratitude. To create the movie version of Charlie St. Cloud, it took 28 actors, 34 stunt people, and some 250 crew. When I visited the set in Vancouver, I tried my best to thank every single one, including the wrangler responsible for a noisy flock of geese, the messy bane of Charlie’s existence.

When I called my wife in Los Angeles, she asked, "How does it feel?" I thought for a moment. Then I answered: "I want to hug every person I meet."

Q: Did you imagine Zac Efron as Charlie St. Cloud?
A: In candor, I never imagined Zac Efron in the role of Charlie. Wrecked by loss and grief, Charlie was a character who had wasted many years of his precious life. I always imagined Charlie as much older and much sadder. Thank goodness I’m not ! a movie producer.

I salute the studio and produce! rs for r ealizing that Efron was a perfect choice. Young, dynamic, and charismatic, he embodies the promise of Charlie St. Cloud without the burden and loss. With Efron’s vibrant presence and performance, a sometimes weighty story feels more hopeful and uplifting. As I told Efron when we met in the cemetery in Vancouver, I’m delighted and very thankful that he took the part and filled it with vitality.

Q: How do you feel about the movie being made in Vancouver, Canada instead of Marblehead, Massachussetts, where the novel takes place?
A: I love Marblehead and the people of the town. While researching the book, I traveled to Marblehead several times to walk among the tombstones in Waterside Cemetery, eat breakfast with fishermen at the Driftwood before dawn, drink beers with 'Headers at Maddie's, and compete in my first and only sailboat race.

Vancouver is a country away from the wonderful town where I situated! the story. But a movie adaptation isn't supposed to be a literal translation of a book. It's an interpretation. While I sincerely hoped that the film would be made in Massachusetts--and while the filmmakers tried their best too--I understood the financial decision to pick Canada, where production costs are significantly lower.

Given this choice, the filmmakers did a great job transplanting Charlie and Sam's story to the Pacific Northwest, which looks absolutely spectacular on film.

Q: Your writing seems to focus on questions of life and death. Why?
A: Maybe it's my age or life experience but I've spent a lot of time thinking about how we overcome grief and loss and make the most of our time on earth. These are subjects that have come to occupy my recent work. Over the last few years, I wrote a nonfiction book called The Survivors Club, exploring the secrets and science of the world’s most! effective survivors and thrivers. Interviewing survivors! around the world, I discovered even more proof that love is a powerful and universal survival tool. In my own life, falling in love with my future wife, Karen, helped unlock the stranglehold of my father’s sudden and untimely death 17 years ago. (That’s why I dedicated the book to both of them.) In Charlie's case, discovering Tess helped him break free of the cemetery and the suffocating grip of grief.

Q: You have two young sons. What do you hope they take away from this book some day?
A: When I was leaving the movie set in Vancouver to fly home to Los Angeles, one of the producers generously asked if I wanted a souvenir from the production. I asked for one of Sam’s red mitts from Major League Baseball. Our two young boys can play catch with it. Then some day when they outgrow it, the glove can sit in my office, a reminder of the power of brotherly love and what happens when you take risks, seize life, and set your! imagination free.



Charlie St. Cloud has been given the gift of seeing his deceased brother, but when a new love interest is in trouble he must choose between saving a life or continuing to see his brother everyday. Director: Burr Steers Writers: Craig Pearce (screenplay), Lewis Colick (screenplay), and 1 more credit » Stars: Zac Efron, Kim Basinger and Charlie TahanStudio: New Line Home Video Release Date: 08/11/2009 Run time: 102 minutes Rating: Pg13Zac Efron breaks free of his High School Musical legacy with 17 Again, leading a pack of fine comic actors in a body-switching comedy that freshens the genre with good ideas. Efron plays Mike, a high-school basketball star who blows a college scholarship in 1989 to marry his sweetheart. Cut to 2009, and late-30s Mike (Matthew Perry) is a sour guy passed over for a promotion and feeling estranged from that wife, Scarlett (Leslie Mann), and teen kids (Michelle Trachtenberg, Sterling Knight). Magical intervention causes Mike to turn 17 once more--albeit in the present--and tackle his failures with a fresh start. As the hot new kid in his children's high school, Mike proves a better father to them as their peer than as a man, while Scarlett sees in him everything that attracted her to her husband two decades before. Writer Jason ! Filardi and director Burr Steers demonstrate an imaginative and supple wit in such half-expected scenes as Mike's confrontations with a school bully and his unsuspecting daughter's flirtations with him. But it's Efron who carries some truly delicate moments and proves to be genuinely sympathetic when emotions get thick and heavy. Thomas Lennon is also entertaining as a wealthy Star Wars nerd who pretends to be Mike's father, but his slightly excessive screen time suggests the filmmakers weren't entirely sure Efron could do what needed to be done. If so, they were mistaken. --Tom Keogh

Sunday, December 25, 2011

Famous Stars and Straps Men's Razor Edge BOH Tee, Black/Royal, Medium

Sunday, December 18, 2011

The Chronicles of Narnia Set, Books 1-7: The Magician's Nephew; The Lion, the Witch, and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; Silver Chair, Last Battle

Friday, December 16, 2011

Full Time Killer

Thursday, December 15, 2011

Prolab Caffeine, Maximum Potency, 200 mg, Tablets, 100 tablets

Wednesday, December 14, 2011

Domestic Disturbance : Widescreen Edition

Gone, Baby, Gone: A Novel

  • ISBN13: 9780061336218
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting! .) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, an! d he soon finds there's more to the story than anyone could po! ssibly i magine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. FennessyGone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River." It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private dete ctives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben! Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting.) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husb! and, Ed Harris). The authorities don't appreciate the interfer! ence, bu t Patrick knows how to get the local populace talking, and he soon finds there's more to the story than anyone could possibly imagine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sa! nity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound yellow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, ha! ve gone to visit drug dealer Cheese in prison because they thi! nk he's involved in the kidnapping of 4-year-old Amanda McCready. Without sentimentalizing the grotesque figure of Cheese, Lehane tells us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling ! beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the War, Sacred. --Dick Adler

Sunday, December 11, 2011

The House of Yes

  • Valse June / Love's Hesitation Waltz
This outrageous comedy was cheered for its edgy humor and hot young cast! All Marty (Josh Hamilton -- ALIVE) wants is a normal life, but nothing goes as planned when his fiancee (Tori Spelling -- SCREAM 2) meets his far-from-normal family. His beautiful but crazy twin sister, "Jackie-O" (Parker Posey -- DAZED AND CONFUSED), becomes dangerously jealous ... and their younger brother (Freddie Prinze, Jr. -- I KNOW WHAT YOU DID LAST SUMMER) puts the moves on Marty's new love! Soon, Mother's hiding the kitchen knives ... but she can't hide the family's shockingly hilarious secrets! One of Hollywood's most talked about releases in years -- this offbeat motion picture is wild entertainment fun!Parker Posey was the It Girl of independent film in early 1997, the year this film (along with three or four others in which she starred) all played at the Sundance Film Fe! stival. This film was the toughest of the bunch to embrace, based as it was on a self-consciously quirky off-Broadway play about Thanksgiving at the home of a particularly strange family. Oldest son Josh Hamilton comes home from college for the holidays, with fiancée Tori Spelling in tow. What he hasn't told her is that his twin sister, Jackie-O (played by Posey), thinks she's Jackie Kennedy--or that he and Jackie-O have shared more than, shall we say, filial affection. Posey is wonderfully edgy and she and Hamilton spar with entertaining vigor, but you still have to cope with writer-director Mark Waters's pretentious script. --Marshall Fine

Green Lantern (Three-Disc Combo: Blu-ray 3D / Blu-ray / DVD / UltraViolet Digital Copy)

  • Recreate your favorite Green Lantern moments with this new playset
  • Includes Green Lantern figure, Kilowog figure, and a projectile launcher
  • The projectile launcher and the lantern lights up
  • Turn an activation disk to open the doors and explore the Planet OA
  • Fun for all boys
In a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Basse! tt* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a ! hilariously nebbishy Peter Saarsgard, who may be the first sup! ervillai n to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightIn a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' ne! west recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Jo! hns's retrofitting of the title character, the story follows H! al Jorda n (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the proceedings, an approach that makes the increasingly outlandish effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew WrightThe Imaginext Green Lantern playset comes with a Green Lantern figure, a Kilowog figure, B’DG the squirrel figure, a projectile launcher, a projectile and a lantern that really lights up. Turn an activation disk to open the doors and explore the Planet OA. Boys will love recreating their favorite Green Lantern moments with this new playset.Imagine…a world of action and excitement where you decide what happens next! This time, it’s a trip to Planet OA with super hero Green Lantern, Kilowog and B’DG the squirrel. Whatever world you travel to, it’s a whole new adventure every time you play! For kids ages 3 to 8 years.

Playset

Playset includes 3 figures, 1 light-up lantern, a projectile launcher, and ! more!


Turn figures on the playset disks to activate special features.
Inspiring Imaginative Play!
“In brightest day, in blackest night, no evil shall escape my sight. Let those who worship evil's might, BEWARE MY POWER ... Green Lantern's Light!” Green Lantern wears a ring that channels pure willpower in the form of green energy. He uses that energy in a number of waysâ€"blasting an energy ray, creating a force field or even creating solid objectsâ€"to help him fight the forces of evil. Kilowog and his animal sidekick B’DG are two of those evil forces.

Turn on the Adventure!
With Imaginext Green Lantern Planet OA Playset, kids get to make the action happen! They turn the Green Lantern figure on a disk, and a door opens. They turn the Kilowog figure on ano! ther disk to aim the launcher, then press to fire! There’s a lantern that lights up at the press of a button, and a space tether that attaches to a figureâ€"kids can just spin the thumbwheel to let that figure explore Planet OA!

Build Confidence and Develop Imagination
As characters in your child’s adventures, Imaginext figures like Green Lantern and Kilowog can help your child build self-confidence and eagerness to explore. The Green Lantern Planet OA play set provides a backdrop for your child to expand the boundaries of his imagination. And using his imagination is the best adventure of all!

What's In The Box?
1 moon base, 3 figures, 1 light-up lantern, 1 projectile launcher with 1 projectile, 3 button cell batteries, and a DC Super Friends DVD.

Playset

Aim and fire with Imaginext DC Super Friends Green Lantern!

In a universe as vast as it is mysterious, an elite force of protectors for peace and justice has existed for centuries. They are the Green Lantern Corps. When a new enemy called Parallax threatens to destroy the Universe, their fate and the fate of Earth lie in the hands of the Corps' newest recruit, the first human ever selected: Hal Jordan (Ryan Reynolds). Bringing the popular superhero to the big screen for the first time, Green Lantern also stars Blake Lively (Gossip Girl), Peter Sarsgaard (Orphan), Mark Strong (Sherlock Holmes), Academy Award® nominee Angela Bassett* and Academy Award® winner Tim Robbins**. As far as superheroes go, Green Lantern may lack the clean, iconic lines of his more respectable DC counterparts Superman and Batman, but the very wonkiness of the premise (earthling joins elite force of space cops) lends itself to ! a pulpy, operatic, not-entirely-serious approach. (One of his teammates is a talking carrot, after all.) Capitalizing on a charming performance by Ryan Reynolds, the feature-film adaptation is a big, messy movie that, at its best, generates a feeling of aw-shucks wonder. Much like Thor, it isn't afraid to loosen up on the inner turmoil of its hero and go macro. Based on comic writer Geoff Johns's retrofitting of the title character, the story follows Hal Jordan (Reynolds), an impulsive test pilot whose encounter with a dying alien leaves him with an energy ring capable of weaponizing his imagination. While struggling to master his will-based powers, he must deal with threats both earthbound (a hilariously nebbishy Peter Saarsgard, who may be the first supervillain to rock a hoodie) and galactic. Martin Campbell, a director who specializes in more down-to-earth heroics (Casino Royale,The Mask of Zorro), brings a pleasing matter-of-fact baseline to the pr! oceedings, an approach that makes the increasingly outlandish ! effects truly feel special when they occur. Green Lantern has its debits, certainly--the lack of a memorable theme, a second act that hems and haws before getting to the action, the standard origin story shoehorning in too many secondary plots--but its final scenes succeed on a Gigantor, cosmic level where most superhero movies fear to tread. The bigger it goes, the more goofily enjoyable it gets. --Andrew Wright

Tuesday, December 6, 2011

Edge of Darkness

  • The bullet that killed his daughter was meant for Boston cop Thomas Craven. That s what police brass and Craven himself think, but that s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn t a target before, he and anyone linked to his inquiry now is. Mel Gibson stars in
The bullet that killed his daughter was meant for Boston cop Thomas Craven. That’s what police brass and Craven himself think, but that’s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn’t a target before, he--and anyone linked to his inquiry--now is. Mel Gibson stars in his first screen lead in eight years, making Craven’s grief palpable and his quest for paybac! k stone-cold and relentless. Martin Campbell (Casino Royale) directs from a screenplay co-written by The Departed’s William Monahan. Gibson is back, taking us to the edge…and into the sinister darkness.The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved y! et scarcely knew, he discovers she'd been preparing to turn wh! istleblo wer on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does! decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson

Sunday, December 4, 2011

Ghost Rider: Travels on the Healing Road

  • ISBN13: 9781550225488
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Based on the Marvel Comics character, stunt motorcyclist Johnny Blaze gives up his soul to become a hell-blazing vigilante, to fight against power-hungry Blackheart, the son of the devil himself.

  • Product Measures: 0.5 x 5.5 x 7.5
Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the Easy Rider himself Peter Fonda, amusingly cast as ! Mephistopheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

Stills from Ghost Rider (cli! ck for larger image)







!

Beyond Ghost Rider on Amazon.com


On Blu-ray

CD Soundtrack

Ghost Rider: Road To Damnation

Graphic Novels

Johnny Blaze (Nicolas Cage) was only a teenaged stunt biker when he sold hi! s soul to the devil (Peter Fonda). Years later, Johnny is a wo! rld reno wned daredevil by day, but at night, he becomes the Ghost Rider of Marvel Comics legend. The devil's bounty hunter, he is charged with finding evil souls on earth and bringing them to hell. But when a twist of fate brings Johnny's long-lost love (Eva Mendes) back into his life, Johnny realizes he just might have a second chance at happiness - if he can beat the devil and win back his soul. To do so he'll have to defeat Blackheart (Wes Bentley), the devil's nemesis and wayward son, whose plot to take over his father's realm will bring hell on earth--unless Ghost Rider can stop him. Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the! Easy Rider himself Peter Fonda, amusingly cast as Mephistopheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

In less than a year, Neil Peart lost both his 19-year-old daughter, Se! lena, and his wife, Jackie. Faced with overwhelming sadness an! d isolat ed from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of loss and directionlessness that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again. He had needed to get away, but had not really needed a destination. His travel adventures chronicle his personal odyssey and include stories of reuniting with friends and family, grieving, thinking, and reminiscing as he rode until he encountered the miracle that allowed him to find peace.

After Midnight

  • Fiction
  • Thriller
Sanna and her ravishing friend Gerti would rather speak of love than politics, but in 1930s Frankfurt, politics cannot be escaped--even in the lady's bathroom. Crossing town one evening to meet up with Gerti's Jewish lover, a blockade cuts off the girls' path--it is the Fürher in a motorcade procession, and the crowd goes mad striving to catch a glimpse of Hitler's raised "empty hand." Then the parade is over, and in the long hours after midnight Sanna and Gerti will face betrayal, death, and the heartbreaking reality of being young in an era devoid of innocence or romance.

In 1937, German author Irmgard Keun had only recently fled Nazi Germany with her lover Joseph Roth when she wrote this slim, exquisite, and devastating book. It captures the unbearable tension, contradictions, and hysteria of pre-war Germany like no other novel. Yet even as it exposes huma! n folly, the book exudes a hopeful humanism. It is full of humor and light, even as it describes the first moments of a nightmare. After Midnight is a masterpiece that deserves to be read and remembered anew.No Description Available.
Genre: Horror
Rating: R
Release Date: 20-SEP-2005
Media Type: DVD

"Our sister is marrying a vampire."

When the ever practical Caroline Cabot first hears those words from the lips of her fanciful youngest sister, she accuses Portia of having a wild imagination.

But when she discovers their sister Vivienne is actually being courted by Adrian Kane, the mysterious viscount rumored to be a vampire, she decides to accept his invitation to a midnight supper and do some sleuthing of her own. To both her delight and her dismay, she soon finds herself falling under Kane's bewitching spell.

After all, what's a proper young lady to do when her sister's suitor arouses more than just her s! uspicions?

Saturday, December 3, 2011

Committed: A Love Story

FreeStyle Test Strips - 100 ea

Lucky Brand Women's Melanie Top, American Navy, X-Large

Down and Derby : Widescreen Edition

  • Widescreen
In this hysterical comedy that Movieguide calls, "fun, clean and exciting," a local Pinewood Derby competition transforms an average group of dads into overzealous rivals desperate to build the winning car. As egos swell, the kids are lucky if they get to pick the paint color. While the dads are busy with outlandish gimmicks and sabotage, the underestimated scouts pull together and discover the true meaning of sportsmanship!Ace Montana always wins first place in everything. Chaos reigns in this hilarious comedy when three obsessed dads take over builing their sons' pinewood derby cars with the sole purpose of beating Ace's clone-line son.
When most Americans hear the words Â"roller derby” today, they think of the kitschy sport once popular on weekend television during the seventies and eighties. Originally an endurance competition where skaters traveled the equivalent ! of a trip between Los Angeles and New York, derby gradually evolved into a violent contact sport often involving fake fighting. But after nearly dying out in the nineties, derby has been making a comeback. From a mere handful of leagues in the United States just a few years ago, there are now more than 17,000 skaters in more than 400 leagues around the world, with hundreds of thousands of die-hard fans. Down and Derby will tell you everything you ever wanted to know about the sport. Written by veteran skaters as both a history and a how-to, Down and Derby is a brassy celebration of every aspect of the sport, from its origins in the late 1800s, to the rules of a modern bout, to the science of picking an alias, to the many ways you can get involved off skates.
Informative, entertaining, and executed with the same tough, sassy, DIY attitude — leavened with plenty of humor — that the sport is known for, Down and Derby is the first and last book on derb! y you’ll ever need.
DVD

Gonzo: The Life and Work of Dr. Hunter S. Thompson

  • Directed by Oscar winner Alex Gibney (Taxi to the Dark Side and Enron: The Smartest Guys in the Room) and narrated by Johnny Depp, this Collector s Edition takes a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: R Age: 876964001
Oscar® winning director Alex Gibney presents a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Accompanied by an iconic soundtrack, this fast moving, wildly entertaining film addresses the major touchstones in Thompson s life from his intense and ill fated relationship with the Hell s Angels to his deep involvement in Senator George McGovern s 1972 presidential election.After Enron: The Smartest Guys in the Room ! and Taxi to the Dark Side, Hunter S. Thompson seems like an odd subject for Alex Gibney to take on. Unlike the Enron executives or Baghram guards, the gonzo journalist didn't bilk old ladies out of their savings or torture Iraqi citizens. Nonetheless, the director's follow-up to the Oscar-winning Taxi shares an interest in the uses and abuses of power. Gibney recounts the major biographical details, from birth to suicide, but his film really comes alive when he gets to the late-1960s. Though Thompson remains best known for Fear and Loathing in Las Vegas, Gonzo concentrates on his coverage of the 1968 and '72 presidential elections. The author was particularly excited about George McGovern, and chose advocacy over non-partisan reporting. McGovern, Pat Buchanan, Ralph Steadman, Rolling Stone editor Jann Wenner, and others testify to Thompson's enthusiasm for the South Dakota senator--and hatred for Nixon. Gibney argues that the fire started ! to die after Hunter witnessed the brutal treatment of proteste! rs at Ch icago’s Democratic Convention. Disillusionment led to an erosion of his talent and an escalation of his self-destructive tendencies. As Johnny Depp, who played him in Fear and Loathing, reads passages from his work, the doctor's friends and family provide a glimpse of the insecure man behind the brash image. Gibney's evenhanded depiction may disappoint true believers hoping for a glorified puff piece, but Thompson's ability to speak truth to power with wit and passion comes through loud and clear. --Kathleen C. Fennessy
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