Monday, November 7, 2011

Cold Creek Manor

  • Finally putting an end to their days as slaves to the hustle-and-bustle of city life, Gothamites Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), pack up their kids and all their possessions and move into a recently repossessed mansion in the sticks of New York State. Once grand and elegant, the Cold Creek Manor is now a shambles, but Cooper and Leah have plenty of time to renovate.
COLD CREEK MANOR is a heart-pounding thriller that will keep you on the edge of your seat in tension-filled suspense. Wanting to escape city life for the saner, safer countryside, New Yorkers Cooper Tilson (Dennis Quaid), his wife Leah (1995 Golden Globe winner Sharon Stone, Best Actress, CASINO), and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owne! r (Stephen Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past.Turn off your brain and Cold Creek Manor just might turn into an entertaining thriller. Taking an uncharacteristic detour into nonsensical plot mechanics, director Mike Figgis expertly pushes buttons with this nerve-jangling but ultimately hackneyed story (by Richard Jeffries) about a documentary filmmaker (Dennis Quaid) who moves his wife (Sharon Stone) and two kids into a run-down rural mansion once owned by the family of a simmering ex-convict (Stephen Dorff), who's got secret reasons for wanting Quaid's family to leave. This rote potboiler wants to be as thrilling as Fatal Attraction, but it's more like Pacific Heights--fun to watch as the tension escalates with Dorff's violent behavior, but seriously flawed as plot holes proliferate. With a few good shocks and slinky support from Juliette Lewis, it's pe! rfectly enjoyable as a popcorn distraction, but maybe they sho! uld've c alled it Cold Creaky Manor instead. --Jeff Shannon

Hoodwinked (Widescreen Edition)

  • A new spin on an old fable. In this film, Red, Granny, The Big Bad Wolf and the Woodman, all face Detective Flippers as he attempts to determine the 'real' events of the Little Red Riding Hood story. Original songs and witty humor fill this fun and adventurous film. Format: DVD MOVIE Genre: CHILDREN Rating: PG Age: 796019791090 UPC: 796019791090 Manufacture
So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the B! ig Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrogating the suspects: A Little Red in bell-bottoms (Anne Hathaway, Ella Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly! Sue), each of whom have very different reasons for ending! up in t hat cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and other Rankin-Bass holiday specials. While sometimes awkward, there are also moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rapper Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer

Conventioneers

  • Two former friends, one a Republican the other a Democrat, meet in New York during the Republican National Convention in this comedy romp. But when they begin an affair they both discover that their political differences may be too difficult to juggle. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 881394101920 UPC: 881394101920 Manufacturer No: CLS1019
This digital document is an article from The Masthead, published by Thomson Gale on December 22, 2006. The length of the article is 1363 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Look, ma! No fingernails: a rookie conventioneer braves a critique session.(PITTSBURGH '06 CRITIQUE SESSIONS! )(National Conference of Editorial Writers)
Author: David Barham
Publication: The Masthead (Magazine/Journal)
Date: December 22, 2006
Publisher: Thomson Gale
Volume: 58 Issue: 4 Page: 19(2)

Distributed by Thomson GaleThis digital document is an article from Fund Raising Management, published by Hoke Communications, Inc. on September 1, 1997. The length of the article is 1137 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the supplier: The Orlando-Peabody Alliance for the Arts and Culture is intended to promote local cultural activities in Orlando, FL. The alliance is composed of the Peabody Hotel, 14 local cultural organizations and f! ive business-travel partners. One of the capital campaigns con! ducted b y the group was the renovation of the Orlando Museum of Art, which now exhibits the 'Imperial Tombs of China.' Another capital campaign was conducted for the Orlando Science Center which enabled the addition of new facilities. These projects, among others, are ways to attract more Orlando visitors and at the same time support the national cultural heritage.

Citation Details
Title: Partnership boosts local cultural activities to woo theme park tourists and conventioneers.
Author: Alvin H. Reiss
Publication: Fund Raising Management (Magazine/Journal)
Date: September 1, 1997
Publisher: Hoke Communications, Inc.
Volume: v28 Issue: n7 Page: p20(2)

Distributed by Thomson GaleTwo former friends, one a Republican the other a Democrat, meet in New York during the Republican National Conventi! on in this comedy romp. But when they begin an affair they both discover that their political differences may be too difficult to juggle.

As You Like It

  • Emmy award winner Kenneth Branagh, the man who redefined Shakespeare for a whole new generation with Henry V, Much Ado About Nothing and Hamlet, brings the Bard's most delightful comedy to sensational life!Rosalind is a young woman living in the court of her uncle when she falls in love with Orlando, a young gentleman of the kingdom. When Rosalind is banished, she flees into the forest of Arden di
Each edition includes:

• Freshly edited text based on the best early printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare! books

Essay by Susan Snyder

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

Emmy award winner Kenneth Branagh, the man who redefined Shakespeare for a whole new generation with Henry V, Much Ado About Nothing and Hamlet, brings the Bard's most delightful comedy to sensational life! Rosalind is a young woman living in the court of her uncle when she falls in love with Orlando, a young gentleman of the kingdom. When Rosalind is banished, she flees into the forest of Arden disguised as a man...only to encounter Orlando who has also been exiled! But can she win his heart, disguised as she is? With a setting inspired by 19th century Japan and a star-stud! ded cast including Kevin Kline (Dave, A Prairie Home Companion! ), Bryce Dallas Howard (Spider-Man 3, The Lady In The Water) and Alfred Molina (Spider-Man 2, The Da Vinci Code), AS YOU LIKE IT once again proves that all the world's a stage. Come enjoy!If you think stuffy old Shakespeare could be livened up with some ninjas, Kenneth Branagh (Hamlet, Mary Shelley's Frankenstein) has heard your call. Adapter/director Branagh has set the pastoral comedy As You Like It in feudal Japan, where the characters are still British (they live in a community established by Western merchants) but now have reason to dress up in lush Japanese fabrics and engage in sumo wrestling. Due to a feud between two noble brothers, Rosalind (Bryce Dallas Howard, The Village) is banished and ends up disguised as a man in a nearby forest. There she tests the faith of her beloved (and also banished) Orlando (David Oyelowo, MI-5), who can't recognize her because she looks like a Dickensian ragamuffin. Meanwhile, a variety of other star-crosse! d lovers romp around the forest and zen gardens, sparring about love and melancholy. Branagh, never a subtle director, takes every opportunity to squeeze in slapstick and action (like the aforementioned ninjas), but he also keeps the language clear and the movie is beautiful to look at. The strong cast includes Kevin Kline (who previously frolicked in a movie adaptation of A Midsummer Night's Dream), Alfred Molina (Spider-Man 2, Frida), Romola Garai (I Capture the Castle, Dirty Dancing: Havana Nights), and Adrian Lester (Hustle, Love's Labors Lost). --Bret Fetzer

Courageous (The Lost Fleet, Book 3)

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From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift ! farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to their children?

In the new film COURAGEOUS (from the makers of Fireproof), four police officers are confident and focused when it comes to facing danger on the job. But leading their families at home in a God-honoring way? That takes courage. 

Because it is important to take a faithful, fearless stand in so many areas of life, pastor and COURAGEOUS executive producer Michael Catt offers Courageous Living as a closer look at biblical themes and characters that inspired the greatly anticipated movie. 

Catt brings fresh insight to "stories of people in the Bible who displayed great courage when it would have been easier to play it safe... (who) ch! allenge me to keep moving forward. They demand that I examine ! my prior ities and deal with anything that brings fear to my heart." 

Readers will catch a new wind of bravery in the bold accounts of Abraham ("The Courage to Get Going"), Nehemiah ("The Courage to Face Criticism"), and Ruth ("The Courage to Face an Uncertain Future"). There are also growth opportunities in the stirring stories of Moses, Elijah, Joshua, Daniel, Gideon, Nehemiah, Stephen, and Paul and Timothy.

“A man cannot be passive about what Scripture tells him to do for his family and expect to be found faithful to God in the end. He must see with spiritual eyes and realize that future generations are directly impacted by his daily decisions.”
â€"The Resolution for Men

The Resolution for Men is the inspiring book born out of Courageous, a new film by the makers of Fireproof coming to theaters nationwide in fall 2011. The movie, which presents a powerful story of strong male leadership, is an emotiona! lly charged wake-up call to fathers whose influence upon their children and society is immeasurable. The Resolution for Men follows to challenge men of all ages to become as bold and intentional about embracing their responsibilities as leaders of their homes, marriages, and children.

Written by Stephen and Alex Kendrick, screenwriters of Courageous and authors of New York Times No. 1 best seller The Love Dare (five million copies sold), The Resolution for Men strategically inspires men to reconcile with their past, re-engage in the present by taking full responsibility for their wives and children, and then move forward with a bold and clear resolution for the future. Written in partnership with the movie and Priscilla Shirer’s new book, The Resolution for Women, it is designed to inspire a revolution.
In the new film Courageous (from the makers of Fireproof), four law officers are confid! ent and focused when standing up to the worst the streets have! to offe r. But leading their families at home in a God-honoring way? That takes courage.

Based on the highly anticipated movie, the Courageous Living Bible Study Leader Kit will help facilitate leading men toward living more courageously in four key areas: 

Responsibility: serving, protecting, and casting a vision for their family 
Priorities: focusing on eternal things rather than what is temporary 
Legacy: recognizing a father’s potential impact as a godly role model 
Faith: strengthening a father’s identity in Christ, increasing in wisdom

This dynamic four-week study kit includes one 64-page member book and a DVD-ROM featuring Courageous film clips to support each lesson. In addition there are a number of printable leader helps to assist in preparation for teachingeach lesson.

From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of ! dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to t

From the creators of Fireproof comes an inspiring new story about ev! eryday heroes who long to be the kinds of dads that make a lif! elong im pact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to t

After police officer Mac McDonald loses his son in an accident, years of bitterness and pain erodes his lov! e for his family and leaves him angry with God … and everyone else. Can Mac and his new patrol partner, Sgt. Sam Wright, somehow join forces to help one another when it’s impossible to look past their differencesâ€"especially the most obvious one? Every day, we have the opportunity to rebuild relationships and heal wounds by extending and receiving God’s grace. Offer The Grace Card … and never underestimate the power of God’s love. The Grace Card stars Michael Joiner, Michael Higgenbottom and Academy Award Winner, Louis Gossett Jr.A Christian film about grace and forgiveness, The Grace Card tackles prejudice, loss, and grief. The death of a child 17 years ago filled Mac's heart with anger and bigotry and crippled his relationship with his wife and youngest son. In his job as a policeman, he's paired up with Sam, a black officer who's also a part-time preacher and whom Mac dislikes intensely. Sam has also just received the promotion Mac thinks ! he deserved himself. The difficult partnership affects each ma! n and hi s family in very different and significant ways. Sam struggles with the conflict between his desire as a minister to love and accept everyone, and his intense feelings of anger and even hate toward his fellow officer. That struggle almost turns him away from his calling as a preacher. A crisis on the job threatens to decimate what's left of Mac's family and brings the conflict between Mac and Sam to a climax. Just when the situation looks like it might destroy both men, a few well-chosen words and a seeming coincidence reveal that God has made Sam's and Mac's paths cross for a reason. What's more, their interaction with one another causes both men to experience a personal and spiritual growth that neither could have anticipated. The expressions of bigotry in the film are hard to stomach, the sermonizing may be off-putting to some, and the events are sometimes quite predictable, but the portrayal of a city torn in half by racial prejudice is compelling and the message that fo! rgiveness, rather than justice, offers the best solution is certainly worth considering. --Tami Horiuchi
Written in partnership with Sherwood Pictures' upcoming film, COURAGEOUS, in The Resolution for Women, popular speaker and author Priscilla Shirer challenges all women to be intentional about embracing and thriving in God’s beautiful and eternal calling on their lives. 

Like the men in the movie who resolve to fully accept their responsibilities before God, Shirer explains how today's women can and should live out their own resolution. It is "a defining banner that hangs over your life, written in the ink of your own choices." A woman's banner should be an accurate reflection of who she desires to be-someone completely Christ-centered who blesses and changes things in her world for the better. 

The Resolution for Women inspires women with intentional, spirit-filled living from three unique angles. Section one, entitled, "This Is! Who I Am," helps a woman define herself as "authentically me,! purpose fully feminine, surprisingly satisfied, and faithfully His." Section two, "This Is What I Have," invites her to value "my best, my blessing, my honor, and my heart." And Section three, "This Is What Matters To Me," focuses on joyfully honoring God as a wife, mother, and family member while resolving to live with the grace that leaves a godly legacy. The Resolution for Women is designed to inspire a revolution.
The Lost Fleet continues its perilous journey home.

Badly damaged and low on supplies, the Alliance Fleet is raiding Syndic mines for raw materials-and Captain "Black Jack" Geary hopes they can continue to remain one step ahead of their enemies. But the Syndics are the least of Geary's worries when he learns of the existence of aliens with the power to annihilate the human race.

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The Black Swan: Second Edition: The Impact of the Highly Improbable: With a new section: "On Robustness and Fragility"

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“You can’t tear your eyes away” (Entertainment Weekly) from this “wicked, psychosexual thriller” (Daily Variety) starring ACADEMY AWARD® WINNER Natalie Portman* and directed by Darren Aronofsky (The Wrestler ). Portman delivers “the performance of her career” (Vanity Fair ) as Nina, a stunningly talented but dangerously unstable ballerina on the verge of stardom. Pushed to the breaking point by her driven artistic director (Vincent Cassel) and the threat posed by a seductive rival dancer (Mila Kunis), Nina’s tenuous grip on reality starts to slip away â€" plunging her into a waking nightmare.Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as ! director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack… and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of t! he dancers, but also as single-note stereotypes in the horror ! show: wi tchy bad mommy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert Horton“You can’t tear your eyes away” (Entertainment Weekly) from this “wicked, psychosexual thriller” (Daily Variety) starring Academy Award® Winner Natalie Portman and directed by Darren Aronofsky (The Wrestler). Portman delivers “the performance of her career” (Vanity Fai! r ) as Nina, a stunningly talented but dangerously unstable ballerina on the verge of stardom. Pushed to the breaking point by her driven artistic director (Vincent Cassel) and the threat posed by a seductive rival dancer (Mila Kunis), Nina’s tenuous grip on reality starts to slip away â€" plunging her into a waking nightmare.Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comment! s from her mother (Barbara Hershey) and the perceived rivalry ! from a n ew dancer (Mila Kunis), are enough to make anybody crack… and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mommy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted! for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert HortonA black swan is an event, positive or negative, that is deemed improbable yet causes massive consequences. In this groundbreaking and prophetic book, Taleb shows in a playful way that Black Swan events explain almost everything about our world, and yet weâ€"especially the expertsâ€"are blind to them. In this second edition, Taleb has added a new essay, On Robustness and Fragility, which offers tools to navigate and exploit a Black Swan world.

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Ice Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help themselves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York Pollard, Rickey Smiley, Loretta Devine and Malinda Williams.Ice Cube continues his winning streak as a likeable e! veryman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine,! and Katt Williams bring strong humor and dignity to the filmâ! €™s latt er half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghIce Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help themselves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York ! Pollard, Rickey Smiley, Loretta Devine and Malinda Williams.Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix! . A terrific supporting cast including Michael Beach, Chi McBr! ide, Kei th David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghMartin Lawrence leads an all-star cast, including Cedric the Entertainer, Mo'Nique, and Mike Epps, in the hit comedy Welcome Home Roscoe Jenkins. When a celebrated TV show host (Lawrence) returns to his hometown in the South, his family is there to remind him that going home is no vacation! It's one outrageous predicament after another when big-city attitude and small-town values collide in this hysterical comedy critics are praising for its "over-the-top hilarity!" (Roger Moore, Orlando Sentinel)While its story might sound terribly interesting, Welcome Home Roscoe Jenkins is largely a vehicle for gr! oss-out sight gags and grotesque performances by performers who, in many cases, don't need to do such things. Martin Lawrence stars as R.J. Stevens, a successful, Jerry Springer-like, television talk show host who sets aside his perfect life with a sweet son (Damani Roberts) and celebrity girlfriend (Joy Bryant) to attend his parents' golden wedding anniversary back home in Georgia. From the moment he arrives, all the reasons R.J. left to reinvent himself on the West Coast become clear. His siblings and cousins (Mike Epps, Mo'Nique, Michael Clarke Duncan, Cedric the Entertainer) quickly put him in his place, reminding him that his name is actually Roscoe Jenkins. His sweet mother (Margaret Avery) watches impassively while R.J.'s dad (James Earl Jones) strikes one disapproving note after another. R.J. would be content to wait out the anniversary events and go home, but the arrival of a woman (Nicole Ari Parker) he loved but couldn't keep during his adolescence changes everyt! hing, bringing out the competitive survivor within. Written an! d direct ed by Malcolm D. Lee (Undercover Brother), Welcome Home Roscoe Jenkins promises rich comedy and dramatic flavorings, as well as a bunch of delightful actors doing what only they can do best. But Lee subverts the project for cheap and easy laughs, using his best material to do little else than bridge scenes of bad slapstick, bestial perversity, clownish sex and irritating, motormouth rants from the likes of Mo'Nique and Epps. This a hard movie to sit through at 114 minutes, one of those what-were-they-thinking-when-they-made-this films. --Tom Keogh


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This book is a collection of inspirational sermons given across North America following the 9-11 terrorist attacks. All were written on short notice by pastors who were themselves experiencing 9-11 with the rest of us. They serve to bring us all back to those dark ! days. Reading the sermon's and the pastors' comments help you recall and experience the feelings we all felt in September 2001.Studio: Sony Pictures Home Ent Release Date: 10/05/2010Childrens Jewerly. Our Value Line is perfect for the girls that can't seem to take care of the "real" thing. They look great and real!

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The Chorus (Les Choristes)

  • An inspirational story in the rich tradition of MUSIC OF THE HEART and MR. HOLLAND'S OPUS, THE CHORUS has moved critics everywhere to declare it one of the year's very best films! When he takes a job teaching music at a school for troubled boys, Cl ment Mathieu is unprepared for its harsh discipline and depressing atmosphere. But with passion and unconventional teaching methods, he's a
An inspirational story in the rich tradition of MUSIC OF THE HEART and MR. HOLLAND'S OPUS, THE CHORUS has moved critics everywhere to declare it one of the year's very best films! When he takes a job teaching music at a school for troubled boys, Clément Mathieu is unprepared for its harsh discipline and depressing atmosphere. But with passion and unconventional teaching methods, he's able to spark his students' interest in music and bring them a newfound joy! It also puts him at odds with the school's overbear! ing headmaster, however, locking Mathieu in a battle between politics and the determination to change his pupils' lives!By getting nominated for Academy Awards in both the Foreign Language Film and Best Song categories, Les Choristes (The Chorus) made a rare (for a European film) double impression at the 2004 Oscars. This sentimental tale follows the arrival of a new teacher at a remote boys school in 1949 France (the war is a largely unspoken but ghostly presence). With disciplinary problems rampant, and the policies of the old-fashioned headmaster not helping, Monsieur Mathieu decides to introduce choral singing as a way to bridge the gap with his students. You don't need a crystal ball to figure out where this will go, although the movie uses its atmospheric location and lush vocal arrangements well. Bald, dumpy Gerard Jugnot provides a refreshingly offbeat hero (though securely in the traditions of the My Most Memorable Teacher movie); he's sort of a younger Phil! ippe Noiret. Director Christophe Barratier works in the winsom! e-cute m ode that makes a certain kind of French movie into an overly sweet bon bon, although at least this bon bon sings. --Robert Horton
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