Wednesday, November 23, 2011

Hush, Hush

  • ISBN13: 9781416989424
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the last detailâ€"and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.

A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past,! and illuminates the conflict between yesterday's traditions and today's reality.
The complete critically acclaimed and best-selling tale is now available in one sensational hardcover volume.

BATMAN: HUSH is a thrilling mystery of action, intrigue, and deception penned by Jeph Loeb (BATMAN: THE LONG HALLOWEEN) and illustrated by comics superstar Jim Lee (ALL STAR BATMAN & ROBIN, THE BOY WONDER) in which Batman sets out to discover the identity of a mysterious mastermind using the Joker, Riddler, Ra's al Ghul and the Dark Knight's other enemies - and allies - as pawns in a plan to wreak havoc.Criminal profiler Ivy Dunlap is an expert at unraveling the psyches of the most dangerous men alive. She understands the killer instinct. But even Ivy has her limits. And the Madonna Murderer will test them...

"A deeply engrossing read, Hush delivers a creepy villain, a chilling plot, and two remarkable investigators." (Lisa Gardner)

Four months after th! eir separation, marketing consultant Lake Warren faces a tough! legal b attle with her husband, Jack, for custody of their two kids. Though the timing couldn't be worse, she finds herself responding to the flirtations of Dr. Mark Keaton, her handsome colleague at the Advanced Fertility Center. But the morning after their one-night stand, Lake discovers Keaton with his throat slashed.

Afraid of losing her children forever, Lake lies to the policeâ€"and begins searching for the truth on her own before she can be charged with the heinous crime. She starts getting hostile treatment from her coworkers, and strange clues start appearing, quite literally, on her doorstep. Soon Lake is pulled dangerously close to the very dark secrets surrounding the slain man and the clinic where they worked. And suddenly the police are not the only ones hunting Lake Warren.

For Nora Grey, romance was not part of the plan. At least, not until Patch came along. With his easy smile and probing eyes, Nora is drawn to him against her better judgment. But after! a series of terrifying encounters, Nora’s not sure who to trustâ€"she can’t decide whether she should fall into Patch’s arms or run and hide from him. And when she tries to seek some answers, she finds herself near a truth more unsettling than any feeling Patch evokes. For Nora stands amid an ancient battle between the immortal and those who have fallenâ€"and choosing the wrong side will cost her life.

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A seductive young woman chooses the dangerous path of confronting the justice system and corporate power for the sake of her children, her passion for life, and her desire to be loved.

Kelly Jensen was only six years old when she witnessed her mother's murder, for which her father was wrongfully convicted. Moved from foster home to foster home, Kelly was exposed to abuse, neglect, and human trafficking. By age fifteen she was a runaway, combining her innate intelligence with street sma! rts to become a chameleon capable of losing herself in every character she impersonated. Beautiful and bewitching, Kelly used her talents to become the most notorious identity thief in the country.

Ruggedly handsome defense attorney Jake Brooks finds the enigmatic Kelly Jensen irresistible despite suspecting her of murdering his best friend from law school. His obsession leads him to risk his own illustrious career in Los Angeles to see that justice is served. Kelly finds him addictive. Together, the two uncover a sordid link among immoral foster care parents, high rollers in Vegas, politicians, and the legal system itself. Kelly ultimately takes fate into her own hands behind closed doors in the gray zone.

A Dulcie Schwartz feline mystery - When a student goes missing and a professor ends up dead, Dulcie Schwartz realizes that midterms are going to be worse than ever. She’s hard at work on her thesis, but present day concerns â€" including the destructive misc! hief of her growing kitten â€" keep dragging her back into a t! angle of motive, misbehavior, and maybe even murder. If only Mr Grey, her beloved feline ghost, would lend a hand, at least with that rambunctious kitten . . .

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Bucky Larson : Born To Be A Star Movie Poster Double Sided Original 27x40

  • The sizes of these poster is approximately 27x40inches, rolled and in very mint condition never been used or hanged. These are original posters, not a reprint, . It is packaged carefully in a sturdy tube. These posters Will be shipped via USPS Priority Mail
It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits ! in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his ! massive under-equipment and contingent hair trigger gain him e! xactly t he kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryIt's an odd state ! of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a ! giant mutated gopher. He's an Iowa farm boy with hayseeds perm! anently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his massive under-equipment and contingent hair trigger gain him exactly the kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dor! ff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mail100% Original and Authentic movie theater promotional poster is about 11 x 17 inches in size. Will be shipped rolled, inside a poly s! leeve to protect it from moisture and then carefully packed in! to a cus tom made crush resistant box. Poster has never been used and is near mint to mint condition. I have over 500 Original and Authentic mini movie poster titles.All Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mail

Easy

  • Jamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed jerk magnet. After determining not to spend the rest of her life as the easy chick, she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O Byrne and Lost s Naveen Andrews), only to discover that love is anything but easy. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 025192
In this charming, critically acclaimed tale of rumors and reputation, Olive (Emma Stone), an average high school student, sees her below-the-radar existence turn around overnight once she decides to use the school's gossip grapevine to advance her social standing. Now her classmates (Amanda Bynes, Aly Michalka) are turning against her and the school board is becoming concerned, including her favorite teacher (Thomas Haden Church) and the distracted guidance counselor (Lisa Kudrow). With the support of her hilariously idi! osyncratic parents (Stanley Tucci, Patricia Clarkson) and a little help from a long-time crush (Penn Badgley), Olive attempts to take on her notorious new identity and crush the rumor mill once and for all. Easy A is a frothy, fizzy, and funny romantic comedy for teens--and adults will love it too. Not since Clueless has a high-school heroine been able to delight both audiences, and Easy A's Olive (the sparkling Emma Stone) is a stellar young star. But Easy A benefits from a great script by writer Bert V. Royal and assured direction by TV veteran Will Gluck. Olive is a smart girl happy to stay in the shadows of high school, until her good friend, Brandon (Dan Byrd), who's gay, begs her to pretend to have sex with him so the rest of the school will stop picking on him. She obliges, but soon she picks up not one but two reputations--as the girl who sleeps around, and, on the down-low, as the girl who'll pretend to sleep with a guy so! he won't be branded a virgin. Soon Easy A's complicati! ons pile up higher than the entrance of Olive's high school, and her two story lines, neither of which reflects the real Olive, take on lives of their own. There are backlashes and blacklists and repercussions galore. "I always thought pretending to lose my virginity would feel a little more special," muses Olive. "Judy Blume should have prepared me for that." Stone is accompanied by a strong supporting cast: Stanley Tucci and Patricia Clarkson as her bemused parents, Gossip Girl's dreamy Penn Badgley, the freshly unretired Amanda Bynes, Thomas Haden Church, Lisa Kudrow, and Malcolm McDowell. And it's to the cast's and the writer's credit that the audience is kept engaged, and guessing, till the very end. Easy A should be awarded exactly that. --A.T. HurleyIn this charming, critically acclaimed tale of rumors and reputation, Olive (Emma Stone), an average high school student, sees her below-the-radar existence turn around overnight once she decides to use! the school's gossip grapevine to advance her social standing. Now her classmates (Amanda Bynes, Aly Michalka) are turning against her and the school board is becoming concerned, including her favorite teacher (Thomas Haden Church) and the distracted guidance counselor (Lisa Kudrow). With the support of her hilariously idiosyncratic parents (Stanley Tucci, Patricia Clarkson) and a little help from a long-time crush (Penn Badgley), Olive attempts to take on her notorious new identity and crush the rumor mill once and for all.Easy A is a frothy, fizzy, and funny romantic comedy for teens--and adults will love it too. Not since Clueless has a high-school heroine been able to delight both audiences, and Easy A's Olive (the sparkling Emma Stone) is a stellar young star. But Easy A benefits from a great script by writer Bert V. Royal and assured direction by TV veteran Will Gluck. Olive is a smart girl happy to stay in the shadows of high school! , until her good friend, Brandon (Dan Byrd), who's gay, begs h! er to pr etend to have sex with him so the rest of the school will stop picking on him. She obliges, but soon she picks up not one but two reputations--as the girl who sleeps around, and, on the down-low, as the girl who'll pretend to sleep with a guy so he won't be branded a virgin. Soon Easy A's complications pile up higher than the entrance of Olive's high school, and her two story lines, neither of which reflects the real Olive, take on lives of their own. There are backlashes and blacklists and repercussions galore. "I always thought pretending to lose my virginity would feel a little more special," muses Olive. "Judy Blume should have prepared me for that." Stone is accompanied by a strong supporting cast: Stanley Tucci and Patricia Clarkson as her bemused parents, Gossip Girl's dreamy Penn Badgley, the freshly unretired Amanda Bynes, Thomas Haden Church, Lisa Kudrow, and Malcolm McDowell. And it's to the cast's and the writer's credit that the audie! nce is kept engaged, and guessing, till the very end. Easy A should be awarded exactly that. --A.T. HurleyJamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed "jerk magnet." After determining not to spend the rest of her life as "the easy chick," she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O'Byrne and "Lost's" Naveen Andrews), only to discover that love is anything but easy.

Wrath of Gods

  • Director's Cut, 72 minutes
  • 2 hours of bonus material
  • 1 hour exclusive interview with Gerard Butler
  • Additional and extended scenes & exclusive interviews with the people behind Beowulf & Grendel
  • Subtitles: Spanish, German, French, Icelandic, Polish + Version for the hearing impaired
This touching and humorous movie has earned the raves of critics and won the hearts of audiences everywhere! To spare the feelings of her fatherless boy, Lizzie (Emily Mortimer -- Disney's THE KID) secretly authors letters from his "father" that detail seafaring adventures from around the world. But she cannot maintain this illusion forever. Torn between exposing the truth and protecting her son, Lizzie gets more than anyone bargained for when she hires a handsome stranger (Gerald Butler -- THE PHANTOM OF THE OPERA, LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE) to play the role of a li! fetime! Winner at both the Heartland Film Festival and the Seattle International Film Festival, this entertaining motion picture is sure to touch your heart!Driven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizzie's repressed desires come ! to the fore with a man posing as her husband. The moral tangle! s are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghDriven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizz! ie's repressed desires come to the fore with a man posing as her husband. The moral tangles are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Short Film, Trailer(s), SYNOPSIS: The title character in this bowl of Scottish blarney is a sweet nine-year-old deaf boy (Jack McElhone) who lives a fugitive existence with his beautiful mother (Emily Mortimer) and his chain-smoking grandmother (Mary Riggans). The family is forced to move every few months to avoid being tracked down by Frankie's violent, abusive father. Th! e happiness of the boy, who is too young to remember the his f! ather re volves around bogus letters penned by his mother posing as his devoted but absent dad, supposedly a merchant seaman. When a ship that coincidentally has the same name as the one his mother invented docks, she hires an impersonator (Gerard Butler) to play his seafaring dad. Although sensitively acted, the movie is a fraudulent mawkish yarn riddled with plot holes and improbabilities. SCREENED/AWARDED AT: BAFTA Awards, European Film Awards, Montreal World Film Festival, ...Dear FrankieWinner of 6 international film festival awards, this entertaining documentary tells the dramatic story behind the making of the epic movie Beowulf & Grendel, starring Gerard Butler, Stellan Skarsgard, Sarah Polley and Ingvar Sigurdsson. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf's warriors, he's one set with his camera as the crew battles hurricane force winds and he's in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. If you liked "Lost in la Mancha" or "Burden of Dreams" you will probably like this one. DVD Special Features: 2 hours of bonus features, 1 hour exclusive interview with Gerard Butler, exclusive interviews with producers of Beowulf & Grendel, additional & extended scenes, chapter selection, Subtitles: Spanish, German, French, Icelandic, Polish, English, version for the hearing impaired.

Deep Water

Ghost Rider: Travels on the Healing Road

  • ISBN13: 9781550225488
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Based on the Marvel Comics character, stunt motorcyclist Johnny Blaze gives up his soul to become a hell-blazing vigilante, to fight against power-hungry Blackheart, the son of the devil himself.

  • Product Measures: 0.5 x 5.5 x 7.5
Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the Easy Rider himself Peter Fonda, amusingly cast as ! Mephistopheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

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Johnny Blaze (Nicolas Cage) was only a teenaged stunt biker when he sold hi! s soul to the devil (Peter Fonda). Years later, Johnny is a wo! rld reno wned daredevil by day, but at night, he becomes the Ghost Rider of Marvel Comics legend. The devil's bounty hunter, he is charged with finding evil souls on earth and bringing them to hell. But when a twist of fate brings Johnny's long-lost love (Eva Mendes) back into his life, Johnny realizes he just might have a second chance at happiness - if he can beat the devil and win back his soul. To do so he'll have to defeat Blackheart (Wes Bentley), the devil's nemesis and wayward son, whose plot to take over his father's realm will bring hell on earth--unless Ghost Rider can stop him. Once intended as a feature for Johnny Depp, the long-germinating feature film adaptation of Marvel Comics' cult title Ghost Rider stars Nicolas Cage as motorcyclist Johnny Blaze, who transforms into a skull-faced angel of vengeance to battle the forces of evil. Though perhaps a bit too mature for the role, Cage brings a degree of humor to the outrageous proceedings; he's well matched by the! Easy Rider himself Peter Fonda, amusingly cast as Mephistopheles, the demon with whom Blaze strikes a bargain to save his father, and in turn, causes his transformation into Ghost Rider. Wes Bentley is also fine as Blackheart, the rebellious offspring of Mephistopheles, and Blazes' chief opponent in the film. They're joined by a solid supporting cast which includes Donal Logue, Eva Mendes, and Sam Elliott, but their participation and a relentless barrage of CGI effects can't hide the fact that the story itself, though largely faithful to its comic origins, is rife with clichéd characterizations and glum B-movie dialogue. Fans of the venerable title may cry foul over this adaptation (as they did over helmer Mark Steven Johnson's previous comic-to-movie feature, Daredevil), but less stringent viewers may enjoy the fiery visuals and Cage's typically quirky performance. --Paul Gaita

In less than a year, Neil Peart lost both his 19-year-old daughter, Se! lena, and his wife, Jackie. Faced with overwhelming sadness an! d isolat ed from the world in his home on the lake, Peart was left without direction. This memoir tells of the sense of loss and directionlessness that led him on a 55,000-mile journey by motorcycle across much of North America, down through Mexico to Belize, and back again. He had needed to get away, but had not really needed a destination. His travel adventures chronicle his personal odyssey and include stories of reuniting with friends and family, grieving, thinking, and reminiscing as he rode until he encountered the miracle that allowed him to find peace.

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