Video store clerk Ed agrees to have his life filmed by a camera crew for a TV network.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 4-MAR-2003
Media Type: DVDThe third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following
The Truman Show, an art film masquerading as a blockbuster, and
Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza.
EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts
Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, un! surprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier
Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun.
--David KronkeThe third entry of 1998-99! 's cinematic TV trilogy kind of got lost in the shuffle follow! ing
T he Truman Show, an art film masquerading as a blockbuster, and
Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza.
EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts
Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier
Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the netwo! rk executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun.
--David KronkeIt's the unforgettable story of a nobody...that everybody's watching! Matthew McConaughey and Jenna Elfman star in this hilarious romantic comedy Joel Siegel of Good Morning America calls "Big-Laugh Funny."
Ed Pekurny (McConaughey) is just a regular guy who feels he has nothing to lose by agreeing to be a star of a new reality-based TV show. Almost overnight, the program becomes a hit, and suddenly this goofy but ! engaging video clerk is a national celebrity! Everything's fab! ulous... until Ed falls head-over-heels for Shari (Elfman), the girlfriend of his brother Ray (Woody Harrelson). Suddenly their most private moments become public entertainment - and the ratings go through the roof - as millions of fans tune in to watch a real soap opera filled with comedy and romance.
Superbly directed by Ron Howard and featuring a stellar supporting cast including Elizabeth Hurley, Sally Kirkland, Martin Landau, Ellen DeGeneres, Rob Reiner and Dennis Hopper, EDtv is an outrageous look at instant fame, overnight success, and sharing your life with a few million of your closest fans.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following
The Truman Show, an art film masquerading as a blockbuster, and
Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza.
EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as ! Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts
Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier
Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit thr! ough or one that clocks in under two hours but has a lot of pl! ot holes ; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun.
--David KronkeThe third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following
The Truman Show, an art film masquerading as a blockbuster, and
Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza.
EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts
Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory ! in the funnier
Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun.
--David Kronkedvd
